Tour Diary

Greets friends. As I am wrapping up my November 2009 tour, I am actually feeling a sense of relief, and finding space to dig deep once again into creativity, meditation and life’s meaning.

While touring, I have to pay attention to mundane aspects such as driving, soundcheck, and playing the gig. 🙂

A thinker who I am very much enjoying lately is Dr. Amit Goswami. He was interviewed in the hit movie “What the Bleep” and has been a professor of physics at Oregon State University for 32 years.

He shares a view of history with us as to how, why and when a purely mechanical / material view of our universe came into being.

Apparently for scientists to have freedom they had to separate “mind and matter” so as not to step on the church’s toes. These are just a few of the insights and perspectives he offers into understanding our current thinking.

The big question of course is where does “consciousness” come into our life picture. Is it in the material universe, is it separate, and are events and things we see in fact solid and real?

Part 1 of 3 parts:

[youtube=https://www.youtube.com/watch?v=2V6SaBflpiM]

But that is only the beginning. I can’t possibly explain in detail what he talks about – so check it out for yourself.

What struck me in this series is his description of “upward causation” and “downward causation”.

Essentially the “upward causation” idea is evident in our universe that particles make atoms, which make molecules, which make elements and ultimately make our brain. So small particles build bigger bigger bigger – from the bottom up.

But what about the consciousness we experience? Where does it come from? Is it separate from the materials composing our brains & bodies? Does it precede it or follow it. Duh. Religion & philosophy 101, I know 🙂

Downward causation suggests that there is a higher reality, consciousness or God which precedes matter and that maybe the matter is even within that consciousness as a “possibility” that only seems real when we observe it. The idea of a God on a throne up high giving orders is a primitive idea, but scientific evidence is in fact showing that downward causation is real.

I considered what he was saying to see if it somehow applied to music.

What struck me is that music is more than the “assemblage” of notes built through upward causation. An unforgettable melody for example, is a perfect example of “downward causation”. Great composers regardless of genre experience this. That’s the melody being whispered in the ear, not a clever mind thinking of a melody.

“Groove” comes through downward causation too. Groove is an essence and feeling and come down from a higher, intuitive realm. You can’t build a groove that touches the soul through sheer mechanics, or metronome practice. And you can’t slap pitches together and hope that a good melody will be the result.

This also perfectly explains how a performance that touches the soul need not be technically perfect. With downward causation in music – even the simplest, least correct music can be a vehicle for emotional communication. Likewise, a technically perfect performance built through upward causation can lack the consciousness and communication that we wish to experience in a piece of music.

It is fascinating to see my musical ideals corroborated by quantum physics. It’s just so cool.

The expression “follow your bliss” now makes even more sense than ever.

Until next time…

Greets friends!

I am writing you from Cologne Germany and I just arrived from Bangkok last night. Long trip.

Traveling to Bangkok to play with Tommy Emmanuel and the other GREAT players there was an experience I will not forget. The fine players on the bill were Boonchob, Masa Sumide, Joe Robinson, and Michael Fix. Each one had a unique ray of guitar genius and I am very appreciative to have ben there for it all.

On a personal level, certain weak areas of mine as a player became apparent to me. I like the idea of sharing them with you on this blog, because it’s easy to think that pro concert players simply “have it together” musically and psychologically all the time. Maybe by showing you my fragile side, you’ll feel okay about yours. We’re all human.

🙂

Michael Fix and I were having a coffee and he summed it up by saying “wow, here I am with all you other world class players, I almost feel as if eventually people will figure out that I am a fraud”. Crazy, huh? Well that’s exactly how I felt too. We had a good laugh and realized we probably were not alone.

I figured I’d share my new musical goals with you and invite you into my growing process. Please watch my growth and if it gets too big, have a doctor remove it. That’s a joke.

Until now many of my arrangements have been very much like classical guitar transcriptions in concept. Like “well if I map out the bassline and melody to Stevie Wonder, play it funkily, I’ll just slap the two together and have a cool arrangement”.

This is valid, but it is a completely different approach from seeing what the guitar does naturally and beautifully. Composers like Fernando Sor right on up through Chet Atkins and Tommy Emmanuel allow the beauty of the guitar, the open strings, and the natural physics to play out….like a deep comfortable exhale of breath.

A balance between the approaches is what I need next. Better yet, a commitment to beauty and tone is where I am heading. Knowing you’ll play an E Triad and thinking about going to the next triad is very different from playing the triad and ALLOWING ONESELF to feel, experience and vibrate with the triad.

It’s a cycle of playing and listening, then playing, then listening, etc – but having one’s radar up for a “feel good” vibration, a vibration of “love”. Sometimes just a deep listening to one’s own playing can stir this. And, a sense of real honesty with oneself…which is something I struggle with sometimes. I hang with certain ideas to see if they will work rather than discard things immediately, but maybe I need to toss things sooner!

There is nowhere to hide when you have an acoustic guitar blasting through a PA. Tommy, as always, had everything covered so beautifully my skin tingled and energy shot up my spine hearing his beautiful stuff.

I know that he has spent more time than me in that place of listening, making sure it feels good and making sure the music lines up with his intuition. That’s way deeper than “knowing” how to play your arrangement. It’s the difference between a monologue and a dialogue.

Here I go back to the drawing board, evolving. This morning I woke up at 4:30 and decided to just play pretty and have my radar and intuition up. No funk, no fast stuff, just beauty and glow and tone. Playing simple stuff, improvising and listening. Very different from practicing a piece – but more like practicing a “place”.

The plan? Let me stay there and see what happens. Let me go there every day and practice that vibration and allow new things to happen on their own.

Thank you for listening to me, and my music and tolerating my growth! No not the one on my back, the musical growth 🙂

I am not a finished product and never will be. Let’s see where music goes next.

Until next time…with much love….Adam